With Husk, we set out to create a lighting collection defined by clarity, restraint and longevity — not by trend or ornament, but by the strength of its materials and the integrity of its design.
The collection includes a pendant, wall sconce and floor light, each one a study in contrast and consideration. At the heart of the design is a biodegradable shade made from micropulp — a material composed of waste paper and hemp, fabricated by Byron Bay-based Zeoform. The micropulp behaves like clay in its forming stage and finishes with the machinability of timber. It allowed us to bring our knowledge of tactile materials into the development process while also adapting to the new challenges it posed.
The pairing is deliberate — a contrast of the experimental with the traditional, elevating the perception of recycled materials through context and finish.
Internally, we refined every component and developed new in-house processes to ensure the lights could be disassembled, serviced and returned — true to cradle-to-cradle design thinking.
The result is lighting that lives with quiet clarity — soft, sculptural forms that balance sustainability with a refined, architectural presence. Husk isn’t just environmentally responsible — it’s an example of how considered design can elevate sustainable outcomes.
We designed Husk from the ground up. Every detail, fixing and interface was reconsidered — not just for aesthetic refinement, but to allow the piece to be disassembled, serviced, or recovered at the end of its life. In doing so, we aimed to elevate what sustainable design could look and feel like.
The micropulp shade is paired with artisan-formed slumped glass — a deliberate gesture that contrasts innovation with heritage. Glass, long associated with value and architectural permanence, reframes the humble origins of the recycled shade, lending it weight and grace.
The result is a light that feels grounded, confident and quiet. Husk doesn’t lead with its sustainability — it earns it through intention.
